‘Bankrupt’ a new play by M. Hanlon, published by LavaPress

Bankrupt, by Mark Hanlon. Published by LavaPress. © 2012 Lavaguy.com All rights reserved

BANKRUPT is a biting commentary on the state of the world today: “mom and pop shops” are being forced out of business by heartless conglomerates, while American jobs are being sent overseas. Quality of goods and customer service decline as consumers demand ever-lower prices.

Set in a Manhattan Men’s Fine Clothing store, four generations of the Pasquale family and the employees who have depended on them for years prepare to close up shop for good. Continue reading

Publishing an original two-act play (an example)

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In this example, a playwright wrote an original script and it was produced in his hometown. He wanted his original two-act play bound and published for posterity, and had hopes of securing future productions outside his home region. After consulting with me, he decided to hire me to help him publish his work. The playwright provided me with the manuscript as a digital file, a photograph from the original production for the cover, and a cast and crew list from the program for inclusion in the script. His script needed some editing for typos, spelling and formatting, but nothing beyond what is included in the basic contract.

For more information, keep reading.  You can also download the Prospectus for Playwrights, or contact me directly. Continue reading

Publishing Your Play: What to Expect

Here’s what you can expect when you hire me to publish your play or other title. If you have more questions about the process, you can download the Prospectus for Playwrights, or contact me for more information. Continue reading

FREE SHIPPING on “Asher TX ’82” for a limited time!

Asher TX '82 by Bruce R. Coleman © 2011 All rights reserved. The cover of Asher TX ’82, a new one-act drama by Bruce R. Coleman.
Cover photograph by Daylon Walton. Cover design and illustration by Jay Thomson.
Published in 2011 by LavaPress, available on Lulu and on Amazon for Kindle downloads.

Continue reading for details on how to get free shipping on this title…

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Playwrights Wanted!

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Why should you publish your play with LavaPress?*

You are one seriously busy theatre individual. You probably work at least one full-time job to support your theatre habit (maybe more), and you spend practically every moment when you’re not at your day job either in rehearsals or performance, or writing your next award-winner.

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Asher TX ’82, a one-act drama by Bruce R. Coleman

Asher TX '82 by Bruce R. Coleman © 2011 All rights reserved. The cover of Asher TX ’82, a new one-act drama by Bruce R. Coleman.
Cover photograph by Daylon Walton. Cover design and illustration by Jay Thomson.
Published in 2011 by LavaPress, available on Lulu.

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Look What’s Happened To Pixie De Costa!

Look What's Happened To Pixie De Costa! (a comedy in two acts) by Bruce R. ColemanThe cover of Look What’s Happened To Pixie De Costa!,
A trash classic in two fast red hot acts by Bruce R. Coleman.
Published by LavaPress, 2011.

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Sherlock Holmes vs. Godzilla (a melodrama in two acts)

Sherlock Holmes vs. Godzilla (a melodrama in two acts) by Benjamin Schroth

The cover of Sherlock Holmes vs. Godzilla, by Benjamin Schroth. Published by LavaPress, 2011.

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New Venture: LavaPress Publishing

AsherTx_cover_WEB Recently I recognized a need among artists and theatre people who need help getting their work published, so I started a new venture: LavaPress Publishing. My goal is to navigate the turbulent waters of the publishing industry for emerging playwrights and artists, so they can keep doing what they do while promoting their work.

Two years ago I started learning about publishing because I was interested in writing a book. While I’m not an expert on traditional publishing (yet?) I have learned an awful lot about the new world of digital publishing. Using various services like Lulu, Blurb, and CreateSpace, authors now have the opportunity to publish their own work in a really professional looking format. Continue reading

Update on all my projects… Whew!

Ever since I lost my job working as a manager/barista at a neighborhood coffeehouse about two and a half months ago, I have been firing on all cylinders creatively. I have SO many projects going! I typically sleep only 5 or 6 hours a day (if that) and the rest of the time I’m at my desk or in the studio working on something. It’s been stressful, not making ends meet, and not being able to find a job elsewhere… but that job I had didn’t even cover my basic expenses either, and it took ALL of my energy, and most of my time too. There was rarely anything left over for doing creative work. So, it’s not a complete loss.

And I’ve been thinking, if I can’t find a job that will support my modest lifestyle, I guess I’ll just have to create one! That’s my entrepreneurial spirit talking there. Sometimes I have to beat him back into his dark corner.
Original painting with modified version for Zazzle Aside from writing the book about Zazzle, which has no guaranteed payoff, and will be quite some time before I see a cent, if ever. Aside from that, I’ve been Zazzling like crazy (as always, since that’s an important source of income, and now my ONLY source of income). I’ve also been learning about publishing through both the traditional publishing houses, and self publishing via Blurb, Lulu or CreateSpace (Amazon’s self-publishing wing). Not only that, but I’ve been trying to create some small artworks that will be affordable for people to buy. I usually like to make the most of it by scanning the artwork and using it for a Zazzle design, and if its really good, also using it as an example in my How-To Zazzle book. My latest one received a coveted Today’s Best Award from Zazzle. Oh, and did I mention creating fabric designs for Spoonflower? Yeah, I’ve had my days full.

And now it looks like I’ll be helping out at the Encaustics Workshops this fall at Nichols-Berg Gallery in Chestnut Hill. The owners and instructors are friends of mine, and I asked if I could work for them in trade for attending the classes. Not only did they say yes, but they want me to work additional hours in the gallery. Which is great, because it gets me out of my studio and into the real world. But it also takes me out of my studio in a bad way too. Lately there have been times when I don’t leave my studio for a week or more, so it’s good to get out once in a while though.

I’m hoping the encaustics workshops will get me back into working with wax. I haven’t painted in encaustics in years, although I still have all the tools & materials. And I just got some new PanPastels from ColorFin that I’m anxious to try combining with encaustics. I’m sure this will change my work for Zazzle, too. Because I can see creating a lot of great backgrounds and elements to use in designs on Zazzle. It’s something I don’t see a lot of there, and anything that sets my work apart from the others is good.

Back to publishing: I now have three books available on Blurb (my Cape Cod Light portfolio, and two funny calendars that should appeal to a gay audience—one is a 2012 calendar + journal, and the other is the same thing but in a 16-month version you can use now), but just today I published a play there for a friend of mine who wrote it. It’s a hilarious send-up of Sunset Boulevard, Whatever Happened to Baby Jane? and a host of others, called Look What Happened To Pixie De Costa! and it’s by my long-time friend Bruce R. Coleman. (I’m doing another one for him next week, too.) I did it as a favor to him, but also as a proof-of-concept, since it’s conceivable that I could start a business publishing things like that for artists, playwrights, and other creative folk. I’ve certainly learned enough about it to do it. I just wish money weren’t so tight, and I would be able to make it really professional by setting myself up with a publisher’s account so I could register my own ISBN’s. I know you can buy them through services like CreateSpace, but then they are listed as the publisher, not me. I think it costs about $125 to buy an ISBN (if you get them one at a time, and not in a block of numbers), so it’s not that much dough. But I have to wait until I have some secure source of income coming in.

Speaking of which, I do have an application out right now, and if I got the job, it would be really, really good for me. I’m totally qualified for it, without being overqualified. So keep your fingers crossed. The deadline was yesterday, and I haven’t heard anything, but I’m hoping. However, I’ve been down that road so many times in the past two years, I should know better than to get my hopes up.

Well, thanks for reading! I’ll keep you posted on this blog with updates on all of these various projects.