Ever since my early painting classes as an undergraduate in art school, I have been interested in incorporating text in my work. Using text in contemporary artwork is nothing new, and some artists use text exclusively. I’ve been inspired by the works of Barbara Kruger, Jenny Holzer, Cy Twombly, Marcel Duchamp, Andy Warhol, and the Dada collages of Georges Braque, Pablo Picasso, to name a few artists who used text in some of their artworks. I am intrigued by the possibility of adding additional layers of meaning to a piece through the use of text. Such uses have the potential to support the main idea of a piece, or contradict it; either usage is valid. The use of text in visual artwork can also serve to make the piece more accessible to the general public. I think of it as a way of giving the viewer another handle to hold onto when grappling with the piece.
One of my early painting professors, Erin Palmer, offered a critique of a text painting I made as an undergraduate by asking whether the painting could be successful if the text wasn’t readable (ie, if it were in another language, or if it were illegible text). Continue reading